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An old house...a mysterious locked room... a terrifying secret. Elements that make a horror movie memorably chilling get a taut, spooky reworking in Don't Be Afraid of the Dark. Kim Darby (True Grit) and Jim Hutton (The Green Berets) star as Sally and Alex, young marrieds who inherit a crumbling mansion. Despite warnings to leave well enough alone in her new home, Sally unlocks the mysterious room, opens a bricked-up fireplace - and unleashes a horde of hideous, whispering, murdering mini-demons only she can see and hear. Alex thinks she's imagining things. We know she isn't. And we know Sally should be very, very afraid of the dark!This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.
Legendary producer / director Dan Curtis (DARK SHADOWS, THE NIG! HT STALKER) teams up with writers Richard Matheson (I AM LEGEN! D, THE T WILIGHT ZONE) and William F. Nolan (LOGAN’S RUN, BURNT OFFERINGS) to present three tales of horrific suspense in this made-for-television anthology that also showcases the tremendous acting talent of Karen Black (FIVE EASY PIECES, THE DAY OF THE LOCUST), who plays no less than four distinct roles. In "Julie," an aggressive college student seduces and ultimately blackmails his seemingly shy English professor. In "Millicent and Therese," two polar-opposite sisters become increasingly hell-bent on the undoing of one another. And in "Amelia," a woman falls prey to a murderous Zuni fetish doll.
Dan Curtis, the creator and producer of such out-of-the-ordinary TV classics as the willfully offbeat gothic soap opera Dark Shadows and the proto-X-Files series The Night Stalker, remains best known for the Zuni fetish doll that terrorizes Karen Black in Trilogy of Terror. The wild-eyed doll, with its snapping jaws and screeching yells, borders on camp, y! et its relentless attacks and single-minded, homicidal drive make it an absolutely terrifying figure in the climactic chapter of this trilogy of short films based on stories by Richard Matheson. In the first story, "Julie," Karen Black plays a mousy college professor blackmailed by an obsessed student, and in "Millicent and Therese" she plays sisters consumed with an intense hatred of one another that comes to a head when their father dies. Both of these films conclude with Twilight Zone-ish twists and are more clever than gripping, kept alive mostly by Black's gleefully theatrical performances. With "Amelia," however, Black delivers an almost solo show, playing against the famous Zuni fetish doll, a wooden statue that comes to life when the a protective chain slips off the figure and releases the evil spirit. Curtis turns her apartment into a claustrophobic cage trapping the increasingly hysterical woman as the unstoppable figure hacks at her legs with a kitchen kni! fe and chomps down on her arms and neck with the relentless in! tensity of a bulldog. It's still a classic of small-screen horror. --Sean Axmaker
After exposure to cosmic radiation, four astronauts become the most remarkable, if dysfunctional, superheroes of all time. Unfortunately, the mission's sponsor has also been transformed ? into the world's most lethal supervillain ? setting the stage for a confrontation of epic proportions! . Packed with nonstop action, big laughs and awesome special ! effects, Fantastic 4 is "powerful fun" (The Baltimore Sun) from start to finish!Â
Fantastic Four: Rise of the Silver Surfer
Catch a wave of "terrific adventure" and "non-stop action" (CBS-TV) in this fun and fantastically entertaining smash-hit! "Invisible Woman: Sue Storm and "Mr. Fantastic" Dr. Reed Richards are about to be married when a mysterious alien... the Silver Surfer... crashes the proceedings and heralds Earth's impending destruction. With time running out, the Fantastic Four reluctantly teams up with the nefarious Dr. Doom in a thrilling effort to save our planet!
Daredevil
For Daredevil, justice is blind, and for the guilty?there's hell to pay! Ben Affleck and Jennifer Garner ignite dangerous sparks and nonstop thrills in this "dazzling action-adventure" (The Film Journal) about the newest breed of superhero. By day, blind attorney Matt Murdock (Affleck) toils for just! ice in Hell's Kitchen. By night, he's Daredevil, The Man Without Fear - a powerful, masked vigilante stalking the dark streets with an uncanny "radar sense" that allows him to "see" with superhuman capabilities. But when the love of his life, fiery Elektra Natchios (Garner), is targeted by New York City's ruthless Kingpin of crime (Michael Clarke Duncan) and his deadly assassin Bullseye (Colin Farrell), Daredevil may be about to meet his match.
Among the many entries in the comic-book-movie frenzy, Fantastic Four is refreshing because it doesn't take itself too seriously. Characterization isn't too deep, and the action is a bit sparse until the final reel (like most "first" superhero movies, it has to go through the "how did we get these powers and what we will do with them" churn). But it's a good-looking cast, and original comic-book cocreator Stan Lee makes his most significant Marvel-movie cameo yet, in a speaking role as the FF's steadfast postal! carrier, Willie Lumpkin. Newcomers to superhero movies might find the idea of a family with flexibility, strength, invisibility, and force fields a retread of The Incredibles, but Pixar's animated film was very much a tribute to the FF and other heroes of the last 40 years. The irony is that while Fantastic Four is an enjoyable B-grade movie, it's the tribute, The Incredibles, that turned out to be a film for the ages. --David Horiuchi
Fantastic Four: Rise of the Silver Surfer
Fantastic Four: Rise of the Silver Surfer is another entertaining romp for the Marvel-superhero franchise. Reed Richards, Mr. Fantastic (Ioan Gruffudd), is treading on thin ice when his fiancée, Sue Storm, the Invisible Woman (Jessica Alba), thinks he's more interested in a series of cosmic phenomena occurring around the earth than in the preparations for their upcoming wedding. Sorry, ladies, but Reed is ri! ght. The disturbances are caused by a surge of cosmic power fr! om a my sterious being called the Silver Surfer (an all-CGI creation, modeled by Doug Jones and voiced by Laurence Fishburne), who not only zooms around the skies on his board, but also has enough power to fight the FF, sometimes by turning their own power against them, not only mixing up Sue and Reed, but also Johnny Storm, the Human Torch (Chris Evans), and Ben Grimm, the Thing (Michael Chiklis). But that's not the worst of it. The Surfer is only an opening act, a herald looking for planets that his master, Galactus, can consume for his sustenance.
With its initial installment, Fantastic Four established itself as the superhero franchise that didn't take itself too seriously, and that continues here. There are numerous moments of laugh-out-loud humor, and the most angst they suffer is whether Sue and Reed will ever be able to live a normal family life. (That, and whether they'll ever really get married, of course.) If Fantastic Four were a norma! l superhero franchise, the ending would be a knock-down drag-out war with Galactus, featuring the FF in a colossal battle for the planet Earth and the lives of everyone on it. Fantastic Four: Rise of the Silver Surfer just doesn't do that, and we don't quite get the payoff we expected. Effects are dazzling, but the Surfer looks too metallic, more like a skyriding T-1000 robot. --David Horiuchi
Daredevil
Darker than its popular comic-book predecessor Spider-Man, the $80 million extravaganza Daredevil was packaged for maximum global appeal, its juvenile plot beginning when 12-year-old Matt Murdock is accidentally blinded shortly before his father is murdered. Later an adult attorney in New York's Hell's Kitchen, Murdock (Ben Affleck) uses his remaining, superenhanced senses to battle crime as Daredevil, the masked and vengeful "man without fear," pitted against dominant criminal Kingpin (Mich! ael Clarke Duncan) and the psychotic Bullseye (Colin Farrell)! , who ca n turn almost anything into a deadly projectile. Daredevil is well matched with the dynamic Elektra (Jennifer Garner), but their teaming is as shallow as the movie itself, which is peppered with Marvel trivia and cameo appearances (creator Stan Lee, Clerks director and Daredevil devotee Kevin Smith) and enough computer-assisted stuntwork to give Spidey a run for his money. This is Hollywood product at its most lavishly vacuous; die-hard fans will argue its merits while its red-leathered hero swoops and zooms toward a sequel. --Jeff Shannon
A classic Marvel hero defined by one of comics' greatest visionaries! A Marvel Comics mainstay since 1964, Daredevil got a new lease on life in a landmark 1979-1983 run by writer-penciler Frank Miller and inker-penciler Klaus Janson, whose daring reinvention of the character quickly made Miller one of the biggest and most influential stars in the comic-book industry. Miller put his own stamp on estab! lished cast members such as reporter Ben Urich, femme fatale Black Widow, mad assassin Bullseye, the saw-fisted Gladiator, and monstrous crime boss Kingpin. Miller also introduced Daredevil's mysterious mentor Stick, deadly ninja foes the Hand, and Matt's long-lost love Elektra, a beautiful assassin who would become one of Marvel's most memorable characters. Mixing traditional super-heroics with mysterious martial artistry, doomed romance, and dark personal drama, Miller's character-defining DD run is collected across three titanic trade paperbacks! Collecting Peter Parker, the Spectacular Spider-Man #27-28, and Daredevil #158-161 and #163-172.The man with no fear is back to clean up Hell's Kitchen thanks to this unstoppable Marvel Select Daredevil action figure! Each Marvel Select figure stands over seven inches tall and features multiple points of articulation, plus one third of a deluxe three-part urban display base. Sculpted by Sam Greenwell, this classic Daredevil is! perfect for any super-heroic collection or the casual Fan Wit! h No Fea r!
Decorate your home or office with high quality posters. The Battle of Shaker Heights is that perfect piece that matches your style, interests, and budget.
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