Breaking and Entering

• BREAKING AND ENTERING may lack the quality and scope of Anthony Minghella s previous work such as THE ENGLISH PATIENT and COLD MOUNTAIN, but it s an interesting, character-driven drama. Jude Law (CLOSER) plays Will, a landscape architect who succeeds in business but finds his personal life is tougher to navigate. He has been with Liv (Robin Wright Penn, FORREST GUMP) for years, but it s difficult

Love is no ordinary crime.ProductInformationBreaking and Entering stars Jude Law Juliette Bionoche and RobinWright Penn in a film where a landscape architect's dealings with ayoung thief cause him to re-evaluate his life.  A string ofrobberies brings two very different Londoners together drawing theminto an unexpected passionate and forbidden affair that threatens todestroy the lives of everybody around them.Product Features Feature Commentary with Writer/Director Anthony Minghella Lie.  Cheat.  S! teal.  Love. The Making of Breaking and Entering 6 Deleted Scenes with Optional Director Commentary Theatrical TrailerSpecifications Stars:  Jude Law JulietteBinoche Robin Wright Penn Format:  Color DVD-VideoWidescreen NTSC Language:  English French Subtitles:  English Spanish Number of Discs: 1 Rating:  R Run Time:  119 minutes Directed By:  Anthony Minghella

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Eyes Wide Shut [Blu-ray]

• Stanley Kubrick?s daring last film is a bracing psychosexual journey, a riveting suspense tale and a career milestone for stars Tom Cruise and Nicole Kidman. Cruise plays a doctor who plunges into an erotic foray that threatens his marriage ? and may ensnare him in a murder mystery ? after his wife?s (Kidman) admission of sexual longings. As the story sweeps from doubt and fear to self-discovery a

Stanley Kubrick’s daring last film is a bracing psychosexual journey, a riveting suspense tale and a career milestone for stars Tom Cruise and Nicole Kidman. Cruise plays a doctor who plunges into an erotic foray that threatens his marriage â€" and may ensnare him in a murder mystery â€" after his wife’s (Kidman) admission of sexual longings. As the story sweeps from doubt and fear to self-discovery and reconciliation, Kubrick orchestrates it with masterful flourishes. Graceful tracking shots, r! ich colors, startling images: bravura traits that make Kubrick a filmmaker for the ages are here to keep everyone’s eyes wide open.

It was inevitable that Stanley Kubrick's Eyes Wide Shut would be the most misunderstood film of 1999. Kubrick died four months prior to its release, and there was no end to speculation how much he would have tinkered with the picture, changed it, "fixed" it. We'll never know. But even without the haunting enigma of the director's death--and its eerie echo/anticipation in the scene when Dr. Bill Harford (Tom Cruise) visits the deathbed of one of his patients--Eyes Wide Shut would have perplexed and polarized viewers and reviewers. After all, virtually every movie of Kubrick's post-U.S. career had; only 1964's Dr. Strangelove opened to something approaching consensus. Quite apart from the author's tinkering, Kubrick's movies themselves always seemed to change--partly because they changed us, changed the world and the ways! we experienced and understood it. And we may expect Eyes W! ide Shut to do the same. Unlike Kubrick himself, it has time.

So consider, as we settle in to live with this long, advisedly slow, mesmerizing film, how challenging and ambiguous its narrative strategy is. The source is an Arthur Schnitzler novella titled Traumnovelle (or "Dream Story"), and it's a moot question how much of Eyes Wide Shut itself is dream, from the blue shadows frosting the Harfords' bedroom to the backstage replica of New York's Greenwich Village that Kubrick built in England. Its major movement is an imaginative night-journey (even the daylight parts of it) taken by a man reeling from his wife's teasing confession of fantasized infidelity, and toward the end there is a token gesture of the couple waking to reality and, perhaps, a new, chastened maturity. Yet on some level--visually, psychologically, logically--every scene shimmers with unreality. Is everything in the movie a dream? And if so, who is dreaming it at any given moment, and why! ?

Don't settle for easy answers. Kubrick's ultimate odyssey beckons. And now the dream is yours. --Richard T. Jameson

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French Connection Women's Holiday Crochet Top, Blue, 2

• Slash neck
• Short sleeves

Holiday crochet top

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Bolt (Single-Disc Edition)

• Let it begin! Get ready for the most totally awesome adventure ever as Bolt, the coolest action hero on Earth, and me, Rhino, his faithful partner and right-hand hamster, set off on a super secret mission! As one half of the Dynamic Duo, I'll let you in on the action. One day I'm watching Bolt on TV, and the next thing I know I'm working alongside my all-time favorite hero in stealth mode! We have

Bolt (voiced by John Travolta) is the star of the biggest show in Hollywood. The only problem is, he thinks the whole thing is real. When the super dog is accidentally shipped to New York City and separated from Penny (voiced by Miley Cyrus), his beloved co-star and owner, Bolt springs into action to find his way home. Together with his hilarious new sidekicks  Rhino (voiced by Mark Walton) â€" Bolt’s #1 Fan â€" and a street-smar! t cat named Mittens (voiced by Susie Essman), Bolt sets off on an amazing journey where he discovers he doesn’t need super powers to be a hero.

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Glory Road (Widescreen Edition)

• Very Black

GLORY ROAD - DVD MovieOne of the greatest basketball games in NCAA history is immortalized in Glory Road, an engaging sports movie that dramatizes a pivotal milestone in the racial integration of college athletics. While it may not be as rousing as similar movies like Hoosiers or Friday Night Lights, this fact-based drama gains depth and substance from the groundbreaking achievement of Don Haskins (well-played by Josh Lucas), who coached the 1965-66 team from Texas Western University to the NCAA championship, using the first-ever all-black lineup in the championship game and forever changing the rules of college basketball. Texas Western's underdog season is followed from anxious start to glorious finish, as Haskins recruits many of his black star players from the North, including Bobby Joe Hill (Derek Luke) and Willie Cager (Damaine Radcliff), and this typical! ly wholesome Disney film doesn't flinch from the harsh realities of racial tension (including player beatings and vandalized motel rooms) that Texas Western's black players had to struggle against as their victories began to draw national attention. Jon Voight (under heavy makeup) makes a memorable cameo appearance as legendary Kentucky coach Adolph Rupp, whose favored all-white team was no match for Texas Western, and Haskins' unforgettable achievement is celebrated in an end-credits sequence that demonstrates the positive ripple-effect of his color-blind coaching. Glory Road relies a bit too heavily on sports-movie clichés, but its shortcomings are easily overlooked in favor of its greater historical significance. --Jeff Shannon

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Elvis Has Left the Building

• Actors: Kim Basinger, John Corbett, Annie Potts, Sean Astin, Denise Richards.
• Format: Closed-captioned, Color, DVD, NTSC.
• Region: Region 1 (U.S. and Canada only).
• Rated: PG-13.
• Run Time: 90 minutes.

It's tough being the King.

Which is why in 1977 Elvis faked his own death and endured massive facial reconstruction surgery, and disappeared from the limelight to live a normal life as the unassuming Aaron King. Unfortunately, leaving fame behind also meant leaving his fortune behind, too, and now Elvis finds himself broke and living in near poverty in a small apartment in Los Angeles. Luckily for him, it turns out he's a pretty good private investigator.

Now in his seventies and contemplating a return to music (discreetly, of course), Elvis is hired to solve a baffling missing person case. The King digs deeper, and soon finds himself surrounde! d by the seedier elements of Los Angeles, from nefarious Hollywood producers who prey upon the young, to twin brothers with a very dark secret.

And as Elvis pieces the bizarre puzzle together, he slowly makes his singing comebackâ€"and will be reunited on stage with someone even the King himself never dreamed possible.



**Acclaim for the Novels of J.R. Rain**

"Gripping, adventurous, and romanticâ€"J.R. Rain's The Lost Ark is a breakneck thriller that traces the thread of history from Biblical stories to current-day headlines. Be prepared to lose sleep!"
â€"JAMES ROLLINS, international bestselling author of Altar of Eden and The Doomsday Key

"I enjoyed this immensely. The protagonist, Samantha Moon, is a female vampire with a husband and children. Those predate her condition; six years ago she was attacked by a vampire and rendered into one. Now she's trying to carry on with family and private eye business, and she'! s a feisty, skilled person, so is doing mostly okay. It is not! a horro r story; she buys animal blood to eat and doesn't generally prey on humans. But her husband has an increasing problem with her coldnessâ€"not of spirit, but of body. 'You sicken me and scare the hell out of me,' he tells her. 'And when I touch you it's all I can do to not gag.' She replies, 'Words every wife wants to hear.' I love this! What makes it special are her character and nature."
â€"PIERS ANTHONY, New York Times bestselling author of A Spell for Chameleon and On A Pale Horse

"Dark Horse is one of the best books I've read in a long time! A great classic detective story with a modern twist. Unique and interesting characters (I think I'm half in love with Jim Knighthorse now!), a great plot that kept me guessing until the end, and some of the funniest lines I've read anywhere."
â€"GEMMA HALLIDAY, author of Deadly Cool and Play Dead

"Impossible to put down. J.R. Rain's Moon Dance is a fabulous urban fantasy."
â€"APRIL VINE, author of! The Midnight Rose and Blindfolded by Lust

"Moon Dance is absolutely brilliant!"
â€"LISA TENZIN-DOLMA, author of Understanding the Planetary Myths and The Dolphin Experience

"Moon Dance is a must read. If you like Janet Evanovich's Stephanie Plum, bounty hunter, be prepared to love J. R. Rain's Samantha Moon, vampire private investigator."
â€"EVE PALUDAN, author of Letters from David and The Romance Writer's Pink Pages

"I totally loved The Body Departed. As someone who communicates with those who are either earthbound or have crossed overâ€"your descriptions and interpretations of the dialogue and circumstances could not have been written more accurately. My favorite scene is the one of Jesus stepping down from the cross and then the passionate and compassionate way it was treated as he went back to the cross. I will relive that for a long time to come. You're a wonderfully descriptive writer who paints a very creative, visionary ! canvass based in a paranormal pallet that only a few experienc! e and ma ny can enjoy."
â€"JULIE BELMONT, author of The Path to Personal Success and Freedom and Seizing Your Success

"Powerful stuff!"
â€"AIDEN JAMES, author of Cades Cove and Deadly NightIt's tough being the King.

Which is why in 1977 Elvis faked his own death and endured massive facial reconstruction surgery, and disappeared from the limelight to live a normal life as the unassuming Aaron King. Unfortunately, leaving fame behind also meant leaving his fortune behind, too, and now Elvis finds himself broke and living in near poverty in a small apartment in Los Angeles. Luckily for him, it turns out he's a pretty good private investigator.

Now in his seventies and contemplating a return to music (discreetly, of course), Elvis is hired to solve a baffling missing person case. The King digs deeper, and soon finds himself surrounded by the seedier elements of Los Angeles, from nefarious Hollywood producers who prey upon the young, to twin brothers wit! h a very dark secret.

And as Elvis pieces the bizarre puzzle together, he slowly makes his singing comebackâ€"and will be reunited on stage with someone even the King himself never dreamed possible.



**Acclaim for the Novels of J.R. Rain**

"Gripping, adventurous, and romanticâ€"J.R. Rain's The Lost Ark is a breakneck thriller that traces the thread of history from Biblical stories to current-day headlines. Be prepared to lose sleep!"
â€"JAMES ROLLINS, international bestselling author of Altar of Eden and The Doomsday Key

"I enjoyed this immensely. The protagonist, Samantha Moon, is a female vampire with a husband and children. Those predate her condition; six years ago she was attacked by a vampire and rendered into one. Now she's trying to carry on with family and private eye business, and she's a feisty, skilled person, so is doing mostly okay. It is not a horror story; she buys animal blood to eat and doesn't generally prey on humans! . But her husband has an increasing problem with her coldnessâ! €"not of spirit, but of body. 'You sicken me and scare the hell out of me,' he tells her. 'And when I touch you it's all I can do to not gag.' She replies, 'Words every wife wants to hear.' I love this! What makes it special are her character and nature."
â€"PIERS ANTHONY, New York Times bestselling author of A Spell for Chameleon and On A Pale Horse

"Dark Horse is one of the best books I've read in a long time! A great classic detective story with a modern twist. Unique and interesting characters (I think I'm half in love with Jim Knighthorse now!), a great plot that kept me guessing until the end, and some of the funniest lines I've read anywhere."
â€"GEMMA HALLIDAY, author of Deadly Cool and Play Dead

"Impossible to put down. J.R. Rain's Moon Dance is a fabulous urban fantasy."
â€"APRIL VINE, author of The Midnight Rose and Blindfolded by Lust

"Moon Dance is absolutely brilliant!"
â€"LISA TENZIN-DOLMA, author of Understanding the Planetary Myths a! nd The Dolphin Experience

"Moon Dance is a must read. If you like Janet Evanovich's Stephanie Plum, bounty hunter, be prepared to love J. R. Rain's Samantha Moon, vampire private investigator."
â€"EVE PALUDAN, author of Letters from David and The Romance Writer's Pink Pages

"I totally loved The Body Departed. As someone who communicates with those who are either earthbound or have crossed overâ€"your descriptions and interpretations of the dialogue and circumstances could not have been written more accurately. My favorite scene is the one of Jesus stepping down from the cross and then the passionate and compassionate way it was treated as he went back to the cross. I will relive that for a long time to come. You're a wonderfully descriptive writer who paints a very creative, visionary canvass based in a paranormal pallet that only a few experience and many can enjoy."
â€"JULIE BELMONT, author of The Path to Personal Success and Freedom and Seizing Your ! Success

"Powerful stuff!"
â€"AIDEN JAMES, author of ! Cades Co ve and Deadly NightHARMONY IS A COSMETICS SALES LADY WHOSE LIFE IS SHAPED BY ANEARLY ENCOUNTER WITH THE KING HIMSELF. IT ALL TAKES AN UGLY TURN WHEN SHE ACCIDENTALLY KILLS SOME ELVIS IMPERSONATORS & FLEES THE SCENE. RUNNING FROM THE FBI, HARMONY LEAVES ELVIS IMPERSONATORS IN HER WAKE.

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Bad News Bears Deluxe Baseball Cap-Adult

• Item Includes:: Hat
• Pictured items not included:: Shirt
• Material:: 100% Cotton
• Adult Bad New Bears Cap
• Features a bright yellow baseball cap with The BadNews Bears logo on the front.

In 1977, The Bad News Bears in Breaking Training had a moment in the sun. A glowing junk sculpture of American genres—sports flick, coming-of-age story, family melodrama, after-school special, road narrative—the film cashed in on the previous year’s success of its predecessor, The Bad News Bears. Arguing against the sequel’s dismissal as a cultural afterthought, Josh Wilker lovingly rescues from the oblivion of cinema history a quintessential expression of American resilience and joy.

Rushed into theaters by Paramount when the beleaguered film industry was suffering from Â"acute sequelitis,” the (undeniably flawed) movie miraculously transcended it! s limitations to become a gathering point for heroic imagery drawn from American mythology. Considered in context, the film’s unreasonable optimism, rooted in its characters’ sincere desire to keep playing, is a powerful response to the political, economic, and social stresses of the late 1970s.

To Wilker’s surprise, despite repeated viewings, The Bad News Bears in Breaking Training continues to move him. Its huge heart makes it not only the ultimate fantasy of the baseball-obsessed American boy, but a memorable iteration of that barbed vision of pure sunshine itself, the American dream.

First of a trilogy of films takes an unflinching look at the underbelly of little league baseball in Southern California. Former minor leaguer Morris Buttermaker is a lazy, beer swilling swimming pool cleaner who takes money to coach the Bears, a bunch of disheveled misfits who have virtually no baseball talent. Realizing his dilemma, Coach Buttermaker brings ab! oard girl pitching ace Amanda Whurlizer, the daughter of a for! mer girl friend, and Kelly Leak, a motorcycle punk who happens to be the best player around. Brimming with confidence, the Bears look to sweep into the championship game and avenge an earlier loss to their nemesis, the Yankees.This likable 1976 comedy gently skewers the whole post- Rocky mania for movies about losers who find their mettle or salvation or purpose in life in competitive sport. Walter Matthau stars as a drunk who becomes manager of a pathetic little-league baseball team. When he brings in a talented girl pitcher (Tatum O'Neal), the crew have an actual chance at winning some games and maybe a championship. But director Michael Ritchie (Downhill Racer) undercuts the romance of it all with the team's foul-mouthed tendencies and Matthau's own decadent spin on mentor-coachdom. Similarly to Ritchie's wicked comedy Smile --which lampooned the fervor surrounding beauty pageants--The Bad News Bears pokes fun at another American institution. --To! m Keogh

In 1977, The Bad News Bears in Breaking Training had a moment in the sun. A glowing junk sculpture of American genres—sports flick, coming-of-age story, family melodrama, after-school special, road narrative—the film cashed in on the previous year’s success of its predecessor, The Bad News Bears. Arguing against the sequel’s dismissal as a cultural afterthought, Josh Wilker lovingly rescues from the oblivion of cinema history a quintessential expression of American resilience and joy.

Rushed into theaters by Paramount when the beleaguered film industry was suffering from Â"acute sequelitis,” the (undeniably flawed) movie miraculously transcended its limitations to become a gathering point for heroic imagery drawn from American mythology. Considered in context, the film’s unreasonable optimism, rooted in its characters’ sincere desire to keep playing, is a powerful response to the political, economic, and social stresses of th! e late 1970s.

To Wilker’s surprise, despite repeated ! viewings , The Bad News Bears in Breaking Training continues to move him. Its huge heart makes it not only the ultimate fantasy of the baseball-obsessed American boy, but a memorable iteration of that barbed vision of pure sunshine itself, the American dream.

In 1977, The Bad News Bears in Breaking Training had a moment in the sun. A glowing junk sculpture of American genres—sports flick, coming-of-age story, family melodrama, after-school special, road narrative—the film cashed in on the previous year’s success of its predecessor, The Bad News Bears. Arguing against the sequel’s dismissal as a cultural afterthought, Josh Wilker lovingly rescues from the oblivion of cinema history a quintessential expression of American resilience and joy.

Rushed into theaters by Paramount when the beleaguered film industry was suffering from Â"acute sequelitis,” the (undeniably flawed) movie miraculously transcended its limitations to become a gather! ing point for heroic imagery drawn from American mythology. Considered in context, the film’s unreasonable optimism, rooted in its characters’ sincere desire to keep playing, is a powerful response to the political, economic, and social stresses of the late 1970s.

To Wilker’s surprise, despite repeated viewings, The Bad News Bears in Breaking Training continues to move him. Its huge heart makes it not only the ultimate fantasy of the baseball-obsessed American boy, but a memorable iteration of that barbed vision of pure sunshine itself, the American dream.

Includes one yellow baseball cap.

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